Wide Colour Gamut (WCG) – Page 4

Production of 8K Content for 8K TVs

by Matthew Brennesholtz

On June 11th, the 8K Display Summit was held in New York at the Millennium Times Square Hotel. The event was produced by Display Daily regular, Chris Chinnock of Insight Media, and sponsored by …

Tags:Cameras| HDR - High Dynamic Range| HFR - High Frame Rate| Super Hi-Vision (8K)| Wide Colour Gamut (WCG)

65-inch & Larger TV Display – Ready for Strong Growth

by Sweta Dash

Massive LCD capacity is coming into production in the next three years optimized for 65-inch and 75-inch TV. Most of the capacity is coming from 10.5 Gen fabs especially from China. There is a …

Lumenari Developing Wide Color Gamut Phosphor Materials

by Chris Chinnock

One of the most popular ways to achieve a wide color gamut LCD display is with narrow-band red and green phosphors deposited directly on top of blue LEDs to create the LED backlight unit. …

Tags:Phosphors| Vol 25 - Issue 41| Wide Colour Gamut (WCG)

Other Cinema/Large Venue Considerations Update from Display Summit 2018

by Chris Chinnock

The afternoon session of October 3rd was dedicated to a number of other technologies and considerations around next generation cinema. Speaker Joe Kane, from Joe Kane Productions, focused on the creation of a single …

Soccer’s World Cup is Colourful

by Bob Raikes

One of the big influences on the TV market is the soccer world cup with estimates that 3.4 billion viewers (according to GlobalWebIndex) and the world cup can also be a challenge for programme …

Tags:Colour (Color)| Sports and Stadiums| Vol 25 - Issue 29| Wide Colour Gamut (WCG)

8K/UHD-2 at the ADS

by Matthew Brennesholtz

Chris Chinnock opened the ADS with his talk titled Addressing the Challenges of Selling 8K. This talk mostly addressed issues associated with UHD-2 TV, not 8K cinema systems. The transition from Standard Definition (SD) …

IC07 PixelDisplay Continues to Progress

by Bob Raikes

David Wyatt is from PixelDisplay, a company that we have reported on from SID last year and CES this year. He is an engineer from Nvidia and invented the company’s VividColor technology. Chris did …

Can We Tell Stories With 8K?

by Matthew Brennesholtz

For anyone interested in the prospect of better image quality for cinema, television and mobile devices, the April issue of SMPTE’s Motion Imaging Journal is a must-read. Cover of the April edition of the …

Tags:HDR - High Dynamic Range| SMPTE| Super Hi-Vision (8K)| Vol 25 - Issue 17| Wide Colour Gamut (WCG)

LG G7 Boosts Brightness

by Bob Raikes

Ahead of the full launch next week, LG released information on the display to be used in the G7 ThinQ smartphone. It will be a 6.1″ 3120 x 1440 (QuadHD+) IPS LCD with 1,000 …

Tags:LG Electronics (LGE)| Mobile Display Monitor| Smartphones| Vol 25 - Issue 16| Wide Colour Gamut (WCG)

TS01 Pixel Representation Key First Step for HDR Cinema

by Chris Chinnock

The Technology Summit on Cinema event kicked off with the above titled session. Ronan Boitard from Barco was first to speak. He is actually from the MTT Innovation team that has been working on …

Tags:HDR - High Dynamic Range| Large Display Monitor| Technology Summit on Cinema 2018| Vol 25 - Issue 15| Wide Colour Gamut (WCG)

Eizo ColorEdge CG319X DCI-4K Supports HDR

by Bob Raikes

Eizo has a new DCI-4K 31.1″ monitor, the CG319X, which has support for HDR (HLG and PQ curves supported) for high end video and photo editing. Colour support is 98% of DCI-P3 and 99% …

NEC LP Projector Solves a Colour Challenge

by Bob Raikes

Sometimes, it’s interesting to see how the same challenges come up for different display technologies, and despite the differences between the core technologies, similar ways of achieving the same effect are used. Getting a …

Tags:Laser| Laser Phosphor Projectors| Vol 25 - Issue 14| Wide Colour Gamut (WCG)