Vol 24 - Issue 41

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LG China OLED Facility Approved by South Korean Government

by Andrew Fenn

After a long and drawn out decision-making process, the South Korean government has approved the construction of LG’s Gen 8.5 OLED facility in Guangzhou, China. The government had reservations about the plans, which will …

Tags:China| Large Display Monitor| LG Displays (LGD)| Mobile Display Monitor| OLED Fabs| Vol 24 - Issue 41

emagin

eMagin Signs New Deal with Tier-One Electronics Company

by Andrew Fenn

Active Matrix OLED microdisplay manufacturer eMagin has announced a new development and licensing agreement with a “tier-one consumer electronics company”, which is now authorised to use the firm’s technology. The agreement will generate licensing …

Tags:eMagin| Microdisplays| Mobile Display Monitor| Vol 24 - Issue 41

tvOS 11.1 Brings TV App to Apple TV in Sweden and Norway

by Andrew Fenn

Apple has rolled out tvOS 11.1 to Apple TV, bringing a range of bug and performance fixes including a fix for the Krack Wi-fi vulnerability. Additionally, the update adds the TV app to devices …

Tags:Apple| Large Display Monitor| STBs| Vol 24 - Issue 41

VR Solution for Reviewing Multi-Screen Theatrical Configurations Described

by Chris Chinnock

Kyunghan Lee from KAI Inc. and Sungmin Cho from the Korean Film Council described a VR project they are working on to model multi-screen theatrical configurations. They started by noting two examples: the Barco …

Tags:Cinema Projection| Large Display Monitor| Mobile Display Monitor| SMPTE 2017| Virtual Reality| Vol 24 - Issue 41

TI Describes Method to Achieve Variable Frame Rates in Cinemas

by Chris Chinnock

Tim Ryan from TI’s DLP Cinema group gave a presentation on the way DLP cinema projectors can offer variable frame rates. The projectors can run at various frame rates already, but require time to …

Tags:Cinema Projection| DLP| HFR - High Frame Rate| Large Display Monitor| SMPTE 2017| Variable Frame Rate (VRR)| Vol 24 - Issue 41

Dolby contrast

Dolby Describes Theater Contrast Model and Measurement Data

by Chris Chinnock

Marty Richards of Dolby Laboratories presented a model for evaluating the actual contrast in a theater and then validated this model by showing data from several Dolby Vision theaters. The effort is similar to …

Tags:Cinema Projection| Contrast| Dolby Vision| Large Display Monitor| SMPTE 2017| Vol 24 - Issue 41

8K Production using HLG

by Chris Chinnock

Yuji Nagata from NHK gave a presentation describing an 8K HDR broadcast workflow based on HLG. While trial broadcast of 8K content started in August of 2017 in Japan, this will expand to regular …

Tags:Colour Management & Processing| Large Display Monitor| NHK| SMPTE 2017| Super Hi-Vision (8K)| Upscaling| Vol 24 - Issue 41

Storytelling in 8K?

by Chris Chinnock

Cinematographer, Pierre H Routhier gave a presentation on storytelling in 8K. He wondered, for example, if there is more value from the filmmaker’s point of view in having more spatial resolution as opposed to …

Tags:Cinema| HFR - High Frame Rate| Large Display Monitor| SMPTE 2017| Super Hi-Vision (8K)| Vol 24 - Issue 41

8K-Tico Codec for Miniaturized and Simplified UHDTV Production Systems

by Chris Chinnock

Masayuki Miyazaki, Tsuyoshi Sakiyama, Takayuki Yamashita of Japan Broadcasting Corporation (NHK) said that they have developed a Tico (SMPTE RDD35:2016) codec for 8K ultrahigh-definition TV (8K-UHDTV) production. The codec works at a compression rate …

Tags:Encoders| Large Display Monitor| NHK| SMPTE 2017| Vol 24 - Issue 41

An 8K Full Resolution 60-Hz/120-Hz Camera System

by Chris Chinnock

Tomohiro Nakamura from NHK Science & Technology Research Laboratories described their new 8K portable camera. NHK has already developed a conventional 3-chip 8K broadcast camera, but it very large and expensive, so they developed …

Tags:Cameras| Large Display Monitor| NHK| SMPTE 2017| Super Hi-Vision (8K)| Vol 24 - Issue 41

Dolby Proposes Delta IcpCt as a Color Accuracy Metric for HDR Displays

by Chris Chinnock

Elizabeth Pieri and Jaclyn Pytlarz from Dolby Laboratories started their presentation by saying that the common color accuracy metric, delta E2000 (based on CIELAB), is actually not that accurate when used on HDR displays, …

Tags:Colour Management & Processing| Colour Quality| Dolby| Large Display Monitor| SMPTE 2017| Vol 24 - Issue 41

SpectraCal Calls for a By-Pass Mode in HDR Displays

by Chris Chinnock

Tyler Pruitt from SpectraCal/Portrait Displays started his presentation by describing a big problem with HDR displays – color volume remapping (which he said includes tone mapping as well). This is needed when the color …

Tags:Colour Management & Processing| Display Calibration| Large Display Monitor| Portrait Displays| SMPTE 2017| TVs (TV Sets)| Vol 24 - Issue 41