Empowering display industry professionals with cutting-edge insights and analysis
by Tom Allen
Two professional monitors for post-production have been revealed by BenQ, for editors and colourists requiring high colour accuracy and resolution. The PV series consists of two models: the PV3200PT (first seen at SIGGRAPH 2015) …
Tags:BenQ| Colour Critical Monitors| Large Display Monitor| Post Production| Vol 23 - Issue 09
by Isaac Oburu
SGO’s Japanese Reseller Partner KYOSHIN Communications showcases the performance-leading Mistika colour-finishing post production system again at this year’s InterBEE from 18 – 20 November in Tokyo. On KYOSHIN’s Booth (4201, Hall 4), two state-of-the-art …
Tags:Events| HDR - High Dynamic Range| Japan Display Inc (JDI)| Post Production
by Tom Allen
Kyoshin Communications, reseller partner for SGO in Japan, is showcasing SGO’s Mistika colour-finishing post-production system at InterBEE this year (18th – 20th November, Tokyo). Two systems will be on display on the stand (4201, …
Tags:Back Panel| Events| HDR - High Dynamic Range| Japan| Large Display Monitor| Post Production
by Isaac Oburu
Over 60 speakers, all experts in their respective industries, will be at Screen4All Forum to provide insight into the market’s future challenges, with an emphasis on virtual reality for the first time in France. …
Tags:Events| France| Post Production| UltraHD| Virtual Reality
by Matthew Brennesholtz
On June 3rd the Society of Motion Picture and Television Engineers New York Chapter (SMPTE-NY) had a joint meeting with the Blue Collar Post Collective on High Dynamic Range (HDR) video, especially in terms …
Tags:HDR - High Dynamic Range| Post Production| SMPTE| Vol 22 - Issue 24
by Chris Chinnock
NAB 2015 was the official “coming out party” for ACES. The Academy Color Encoding System (ACES) is becoming the industry standard for managing color throughout the life cycle of a motion picture or television …
Tags:ACES| NAB 2015| Post Production| TV Production
by Chris Chinnock
At the Technology Summit for Cinema, Frederik Zilly of Fraunhofer IIS told a very interesting story about the making of their first movie using light field production techniques. Over the last couple of years, …
Tags:3D Depth Cameras| Fraunhofer| Large Display Monitor| Light Field Cameras| NAB 2015| Post Production| Vol 22 - Issue 16
by Tom Allen
Digital Anarchy is an after-effects company, with software that digitally ‘touches up’ peoples’ faces in photographs. The company also has a version for video, Beauty Box Video, with real-time skin retouching and digital makeup …
Tags:Graphics Software| Large Display Monitor| Post Production| Software| Vol 22 - Issue 13
by Bob Raikes
Cinema – While not a display-centric industry, visual or special effects are in all kinds of media we consume today, so I recently took the opportunity to take the pulse of this industry in …
Tags:Content Creation| Post Production| Vol 22 - Issue 01
by Helen Vince
Broadcast & Distribution – Quantel has a nice presence in the sports broadcasting segment where its Enterprise sQ servers are used to store live video feeds on a frame by frame basis. This allows …
Tags:CCW 2014 (Content & Communications World)| Large Display Monitor| Mobile Display Monitor| Post Production| Vol 21 - Issue 46
by Raverstead
At Interbee 2014 (Tokyo, 19th – 21st November), Quantel will present what it says is the world’s first post-production technology demonstration in 8k at 60fps. Quantel’s Pablo Rio software and ‘multiple’ Nvidia Tesla GPUs …
Tags:4k| Large Display Monitor| Post Production| Super Hi-Vision (8K)| Vol 21 - Issue 45
by Super User
Colorfront (Budapest, Hungary) provides some of the most powerful content creation and transcoding tools in the industry serving both cinema as well as TV production. At the SMPTE Fall Conference, we had a chance …
Tags:Large Display Monitor| Post Production| SMPTE 2014| UltraHD| Vol 21 - Issue 43| Volume 21
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