Colour Management & Processing

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Eizo Collaborates on Easy Colour Management

by Milos Pavlovic

Eizo Corp of Japan announced a new free software solution, “Quick Colour Match” which was developed with Adobe, Canon and Epson and is intended to simplify colour management systems for photography enthusiasts and professionals. …

Tags:Colour Management & Processing| Eizo| Large Display Monitor| Vol 23 - Issue 36

Color Image Reproductions and Hi Fi Audio

by Kenneth Li

With the advancement in direct laser projection, the reproduction and accuracy of colors is getting more attention. Commercial units are already available and operating from several makers, including Christie Digital, Barco, NEC, etc. Beside …

Tags:Colour (Color)| Colour Management & Processing| Laser Projectors| Vol 23 - Issue 31

DS02 Dell Explains Adobe-compliant Monitor

by Bob Raikes

The first speaker was Stefan Peana of Dell who talked about Adobe-compliant display design, compliance and certification. Over the years, as the industry has developed from the early days, when legibility was the only …

Tags:AdobeRGB| Colour Certification| Colour Critical Monitors| Colour Management & Processing| Dell| Desktop Monitors| Display Summit 2016| Infocomm 2016| Large Display Monitor| Vol 23 - Issue 24

BC1 Microsoft Aims for ‘Virtuous Circle’ for IT Displays and Suggests ACES

by Bob Raikes

The Business Conference was opened with introductions by Yong-Seog Kim, President of SID and Ben Keen of IHS. Keen introduced IHS which runs the Business Conference and which has acquired seven companies to build …

Tags:Colour Management & Processing| Desktop Monitors| Mobile Display Monitor| Notebooks| Press Events| SID Display Week 2016

Portrait Displays Controls Colour With Haier

by Tom Allen

A new AIO PC line from Haier, called Right Key, uses technology from Portrait Displays. The PCs are designed for creative types and feature ‘Real Colour’ colour space selection, with four modes: Work (sRGB …

Tags:Back Panel| Colour Management & Processing| Haier| Large Display Monitor| Portrait Displays| Vol 23 - Issue 20

Atomos Adds PQ to Monitor Recorders

by Tom Allen

At NAB, Atomos announced updates to its new Shogun Flame monitors (Atomos Brings HDR to Field Monitors), as well as a new Shogun product. It has only been one month since the Shogun Flame …

Tags:Broadcast Monitors| Colour Management & Processing| HDR - High Dynamic Range| Large Display Monitor| Mobile Display Monitor| NAB 2016| Vol 23 - Issue 16

Spectral Edge Brings Eyeteq to London

by Tom Allen

Spectral Edge’s Eyeteg technology (Spectral Edge’s HDMI Adapter Compensates for Colour Blindness) will be demonstrated at the Connected TV Summit, running on the 16th and 17th March in London. Eyeteq, a colour vision deficiency …

Tags:Back Panel| Colour Management & Processing| Events| Large Display Monitor| UK (United Kingdom)| Vol 23 - Issue 09

Eizo Cares About Colour

by Tom Allen

Eizo’s newest 24.1″ ColorEdge monitors are the CG2420 and CS2420, featuring slim bezels (39% smaller than predecessors’), a carrying handle and Eizo’s own ColorNavigator 6 software. ColorNavigator is intended for users requiring a variety …

Tags:Colour Management & Processing| Desktop Monitors| Eizo| Large Display Monitor| Vol 23 - Issue 06

ISE is Round the Corner

by Tom Allen

Absen will be present on the largest stand it has ever taken at a European trade show. One of the standout products will be a real-time outdoor monitoring display called the L3. It is …

Tags:Absen| Asus| Barco| Collaboration| Colour Management & Processing| Display Mounts| High Brightness Displays| Interface Extenders| ISE 2016| Large Display Monitor| Laser Phosphor Projectors| Matrox| Nortek (Gefen TVOne Magenta)| Optoma| Peerless AV| Scalers| Short Throw| Small Pixel Pitch LED SPP| Switchers| Video Walls| Vol 23 - Issue 04

WCG Standards Needed for Multi-Primary Displays

by Matthew Brennesholtz

One of the little secrets of the display, television and cinema industries is the “Red, Green, Blue” primary colors – aren’t. Red isn’t “Red,” it’s reddish-orange. More importantly, green isn’t “Green,” it’s yellowish-green. Only …

Tags:Colour Management & Processing| DLP Projectors| LCD displays| LCOS| Multi-Primary| Vol 22 - Issue 50| Wide Colour Gamut (WCG)

Could P3 Be the Next Stage for WCG?

by Bob Raikes

I seem to have spent a lot of the last few weeks talking about, looking at and thinking about display colour. Although we have published a huge amount about high dynamic range (HDR), with …

Tags:Apple| Colour Management & Processing| DCI P3| Rec 2020| Rec 709| Vol 22 - Issue 47| Wide Colour Gamut (WCG)

ST 2094 Focuses on Dynamic Metadata (part 2)

by Chris Chinnock

ST 2094 is quite flexible allowing the use of windows to do specific transforms. That means a window may be used to apply a different transform for a bright highlight or dark region of …

Tags:Colour Management & Processing| Colour Quality| HDR - High Dynamic Range| Large Display Monitor| SMPTE 2015| Vol 22 - Issue 44