Empowering display industry professionals with cutting-edge insights and analysis
by Bob Raikes
What They Say Netflix has published a guide for its content partners on the advantages and considerations for HDR monitoring on-set, although such monitoring is not a requirement for the firm. The firm sees …
Tags:ACES| Colour Management & Processing| HDR - High Dynamic Range
by Chris Chinnock
ACES (the Academy Color Encoding System) version 1.0 has been released for about two years now. It was developed as a way to more easily manage color consistency across multiple cameras and through the …
Tags:ACES| HDR - High Dynamic Range| HPA Tech Retreat| Large Display Monitor| Vol 25 - Issue 08
by Chris Chinnock
Gary Demos of Image Essence and Doug Walker from Autodesk Media & Entertainment gave a very good presentation on a new color management solution that they believe should be considered for the next version …
Tags:ACES| Colour Management & Processing| HDR - High Dynamic Range| Large Display Monitor| SMPTE 2017| Vol 24 - Issue 41| Wide Colour Gamut (WCG)
by Matthew Brennesholtz
The Academy Color Encoding System (ACES) has long puzzled me. At the November 18th section meeting of the Society of Motion Picture and Television New York chapter, Jim Houston, co-chair of the ACES Project …
Tags:ACES| HDR - High Dynamic Range| Large Display Monitor| SMPTE| Vol 22 - Issue 47| Wide Colour Gamut (WCG)
by Chris Chinnock
NAB 2015 was the official “coming out party” for ACES. The Academy Color Encoding System (ACES) is becoming the industry standard for managing color throughout the life cycle of a motion picture or television …
Tags:ACES| NAB 2015| Post Production| TV Production
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