Shenzen Timewaying Technology Wins DCI Approval

by Bob Raikes

What They Say Shenzen Timewaying Technology has been granted DCI approval for its LA4K-20 display. The test used a Dolby Vision IMB and the system is the second from the firm to be approved, …

Tags:3D Cinema| 4K DCI| DCI Compliance| LED Cinema

Fujifilm Outputs 4K with 10 Bits

by Bob Raikes

Fujifilm has added a new mirrorless camera, the X-T3, that is able to record true DCI 4096 x 2160 video at 60fps with 10 bits of grey scale in 4:2:2 format through its external …

Tags:4k| 4K DCI| Cameras| HDR - High Dynamic Range| Large Display Monitor| Mobile Display Monitor| Vol 25 - Issue 35

Canon Debuts Two New Monitors

by Chris Chinnock

Canon announced the 24” DP-V2421 and the 17” DP-V1711. These augment, but don’t replace similar model DP-V2420 and DP-V1710. The 2421 and the 1711 has been upgraded to add a new input board that …

Tags:4K DCI| Broadcast Monitors| Canon| HDR - High Dynamic Range| Large Display Monitor| NAB 2018| Vol 25 - Issue 15

Eizo ColorEdge CG319X DCI-4K Supports HDR

by Bob Raikes

Eizo has a new DCI-4K 31.1″ monitor, the CG319X, which has support for HDR (HLG and PQ curves supported) for high end video and photo editing. Colour support is 98% of DCI-P3 and 99% …

Tags:4K DCI| Colour Critical Monitors| Eizo| Large Display Monitor| Vol 25 - Issue 14| Wide Colour Gamut (WCG)

TVLogic to Extend UltraHD/4K Range at NAB

by Bob Raikes

Broadcast monitor specialist, TVLogic, said it would have three new high resolution, two (LUM-313G and LUM-318G, replacing the LUM-310A) with DCI 4K 4096 x 2160 resolution and one, the LUM-430M with UltraHD. The DCI …

Tags:4K DCI| Broadcast Monitors| Field Monitors| Large Display Monitor| NAB 2018| UltraHD| Vol 25 - Issue 06

German Cinemas Install Europe’s First Sony 4K Laser Projector

by Andrew Fenn

Sony Digital Cinema 4Khas confirmed the sale of Europe’s first 4K laser dual projection system to German cinema operators; two SRX-R815DS systems have been purchased by Cinecitta’ Nuremberg, one of Europe’s largest multiplexes. A …

Tags:4K DCI| Back Panel| Cinema| Large Display Monitor| sony| Vol 25 - Issue 01

Barco 4K DLP L/P Unit is Quiet

by Bob Raikes

To complete its offer for the fixed installation market, Barco is extending its F-series platform with a flexible new projector, the F80. Billed as “the silent” F”, it brings three powerful assets to museums …

Tags:4K DCI| Barco| DLP Projectors| Installation Projectors| Large Display Monitor| Laser Phosphor Projectors| Vol 24 - Issue 38

Creating Derivatives from the 4K/120/3D “Billy Lynn” Master

by Chris Chinnock

That was the topic of discussion I had with Ben Gervais, the technical supervisor on “Billy Lynn’s Long Halftime Walk”, a film directed by Ang Lee and captured in 3D, 120 frames per second …

Tags:4K DCI| HDR - High Dynamic Range| HFR - High Frame Rate| Vol 23 - Issue 46

Dreamvision Releases DCI 4K Helios L/P Projector

by Bob Raikes

DreamVision of France has announced a new Helios laser phosphor projector that has a DCI 4K three LCOS engine based on 0.69″ LCOS panels. Brightness is rated at 3,000 Ansi lumens and is intended …

Tags:4K DCI| HDR - High Dynamic Range| Large Display Monitor| Laser Phosphor Projectors| Vol 23 - Issue 40

JVC Launches Native 4K Projector at CEDIA

by Chris Chinnock

CEDIA 2016 was the venue for the U.S. launch of the company’s new 4K native (4096×2160) projector using its D-ILA LCOS imagers. We had a full report on this projector based upon its IFA …

Tags:4K DCI| Cedia 2016| HDR - High Dynamic Range| Home Cinema| JVC| Large Display Monitor| Vol 23 - Issue 37

TV Logic Showcases New UHD 10-bit Broadcast Monitors

by Chris Chinnock

Professional monitor maker TVLogic, a wholly owned subsidiary of Seven Star Works Co., Ltd., unveiled a total of 10 new models at NAB including four aimed at 3/6/12G UltraHD workflows in broadcast, production, post-production, …

Tags:4K DCI| Broadcast Monitors| Large Display Monitor| Mobile Display Monitor| NAB 2016| Vol 23 - Issue 16

Ang Lee Making 120 fps Film – Debuts Clip at SMPTE Event

by Chris Chinnock

Ang Lee looks to be the first major director to get the green light for a Hollywood production using 120Hz frame rates. However, major questions remain about exhibitor’s ability to actually screen the movie …

Tags:3D Cinema| 3D Content Creation| 4K DCI| HFR - High Frame Rate| Large Display Monitor| Mobile Display Monitor| NAB 2016| Vol 23 - Issue 15