
TS04 Expensive HDR Mastering Monitors are Slowing Adoption
by Chris Chinnock
Bill Baggelar from Sony Pictures Entertainment began his presentation with the question: Do we need EDR or HDR for cinema? He defined EDR as typical of what IMax or Dolby Cinema can produce today …
Tags:Colour Critical Monitors| Display Calibration| Dual Panel LCDs| HDR - High Dynamic Range| Large Display Monitor| Technology Summit on Cinema 2018| Vol 25 - Issue 15